![]() ![]() After the paint is dry caulk the inside of the sink with silicone or similar caulking, then fasten each element to the wall with screws or brackets.Īs you can imagine, there are countless variations on this basic design. Paint everything with primer, then outdoor enamel paint. The sink ideally should have a mixing valve to provide hot and cold running water, and a drain in the bottom corner (make the bottom slope down from front to back and left to right). Paint the pieces with contact cement on both sides, then use a clamp or another person to hold the pieces of plywood together while you screw in brass screws.Īfter you put the pieces together, you now have the two elements (sink and dry side) ready to finish and install. ![]() And if you need 16x20-inch trays, simply enlarge the dimensions. If you have less width, you can always use the fourth tray in a laundry room or on a rack, etc. This will allow four 11x14-inch trays to fit inside the sink. In our example we are going to have a sink 60x24x8 inches, a dry side 36x24x3/4 inches, and a partition in between 24x96x3/4 inches. The plywood pieces will be glued, and some pieces (like the inside of the sink) will be painted with outside enamel paint. The 3/4-inch plywood will then be attached to the 1x2-inch strips. The construction style in our example is to attach 1x2-inch “furring strips” to the plywood to provide framework. You can change the dimensions to fit your space. ![]() You can further cut the pieces and fit them together as shown in the sketches and model. One design takes two sheets of 4x8-foot plywood and cuts them up into various pieces to make both the wet and dry “units.” Have the lumberyard cut the pieces of plywood into two pieces, each 2x8 feet (to fit into the car). Some say it can even determine the quality of prints.Ī plastic hanging closet clothes protector keeps film clean while drying, especially in a dusty basement environment. Printing can be enjoyed over many hours’ time, and good music soothes the savage beast. Some kind of flat workspace-it can be a borrowed kitchen or dining room table-for trimming and mounting prints.Ħ. Film and paper chemicals are toxic, so decent ventilation is a must.ĥ. Sufficient room for the enlarger and related accessories (paper safe, lenses, negative holders, canned air, etc.).Ĥ. ![]() A sink with automatic hot and cold running water is ideal, but many photographers accomplish wet tasks on a counter and go to a nearby laundry or bathroom to complete steps like film or paper washing, cleaning up utensils, etc.ģ. The “dark” for the remaining processes can have a small amount of light leaking in, but not much.Ģ. Ability to make your selected space dark, although a changing bag will make do for the critical task of loading film into tanks. Here, not necessarily in order of importance, are the requirements:ġ. A closet, guest room, garage, or basement can all serve as locations. The ideal setup is one where you have running hot and cold water, but lack of this is not a deal-breaker. Step one is to evaluate and measure your available space. Everything sits on two stainless steel kitchen work tables. An adjustable 11x14-inch easel is on the baseboard, and to the right are three 11x14-inch trays. In the center is an Omega B2 enlarger, which handles 35mm and 6圆cm negatives. At left is a radio, an enlarging timer, and a paper safe. The author’s current darkroom, in the basement of a small house. There are similar opportunities online or via your local newspaper or shoppers’ guides, tag sales, etc. The former owner even included several boxes of usable paper and dozens of reference books and magazines. #Darkroom soak photoflow plus#I recently paid $125 for a complete set of darkroom equipment, including a Simmon Omega B-22 enlarger, a 50mm lens (for 35mm film), a 75mm lens (for 6圆 or 120 negatives), plus trays, easels, custom timers, etc. The cost of used darkroom gear has been reduced to bargain levels, mostly due to the explosion of digital photography. Unfortunately, many photographers think building a darkroom is expensive, time-consuming, and difficult. Nothing beats watching an image come to life in the developing tray. It’s a fun alternative to digital printmaking. The renaissance in film photography these days has created the need for a “wet” darkroom. This black-and-white print was developed in the darkroom in the photo. The enlarger is an Omega D2, capable of enlarging 35mm through 4x5-inch negatives. The room also served as an office, hence the desk and light box at left. The sink had hot and cold running water and a temperature control unit, plus it could hold four 11x14-inch trays. One of the author’s early darkrooms, using the plywood sink design. ![]()
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